She created installations with iron sheet, valorizing the essence of the material,
polished and treated with beeswax, installations with coal and ink,
mixed and stored in glass bottles with the letters of the alphabet impressed on them,
to indicate the conventional significance we attribute to signs of writing,
that otherwise lack value as such, as graphical signs, bringing to mind Socrates,
who had opposed the use of the written language,
as it would have made people abandon the exercise of memory, of oral transmission and
the imagination that is naturally stimulated by this activity.

She sewed tunic from paper and silk, printing passages in ancient Greek on the inside,
passage taken from Euripides” Medea, that could only be read from inside,
when one is able to wear, to understand, to enter the female path,
observing its weaknesses and strengths in the relation ship with the man.

She used metal tubes, water pipes, to create the support for the infinite Calendar in paper,
where the numbers from zero to one thousand and from one thousand to zero,
are impressed and placed one after the next.
She chose for the work titled “Effects of the Wind on Earth”, many iron sheets supporting pairs of glass panes,
with traces of sea-salt compressed between them, an installation that reproduced a landscape,
witnessing the intensity of the wind and its effects on the land.
She reused jute sacks, lace and tulle, goldfishes, water.